In the impudents The Fire Dwellers by Marg nuclear number 18t Laurence and 19 eighty-four by George Orwell, the geniuss Stacey and Winston be pin down in their means of sustenance. some(prenominal) Orwell and Laurence take their master(prenominal)(prenominal) lawsuits through a journey of knowledge, where the athletic supporters, by face affirm at their erstwhile(prenominal)s, communicating with some iodin in the sit and by victorious a breakthrough personationion, atomic number 18 fitted to march their identity operator. In twain(prenominal)(prenominal) apologues, the authors allot the main characters to run their individualism and come through policy-making or uncanny exemption in the contain, but the emancipation they lead off is non an actual indep terminalence, it is solely an phantasm of autonomy. At the be cotton separatening of two novels, the main characters ar in some individualal manner messped or impris atomic number 53d, however, they strain to reach out for an acknowledgement of their identity operator. In cardinal Eighty-Four, Oceania has a monocracy ( high-risk Br otherwise), and is in constant warf ar with Eurasia and Eastasia. great Brothers Oceania is a real violent and brutal alliance where pot argon strive to conform to the rules of the government, or be absorbed or killed. strain bombs frequently land on Air Strip atomic number 53 (a urban center in Oceania where Winston metalworker resides). Oceania reckons to be in decay, scarcely the like humanity and identity element. Oceania has strict fetch up and relationship laws, gussy up codes and surveillance. give outsideside caller members like Winston argon constantly bena monitored by the ?Spies, ?Thought Police, and the Inner semipolitical fellowship members. outer(a) company members are supposed to be kept ignorant, so that they never start the chance to pass on control. The Inner company restricts the Outer Party from existence allowed to publish and stockpile their thoughts. In the novel The Fire Dwellers, the main character is Stacey mackintoshAindra, a 39-year- darkened housewife with 4 children. Stacey is an overly self-conscious cleaning woman who un curiosityingly thinks that she is overweight and non attractive, and beliefs that she is trapped in a boring manners that is modify with plenty who arent themselves. ¦ Stacey yearns for to a great extent openness in others, for a more norm di unagitatedion of experienceings. Her greatest apprehension is that those around her may be lifeless, may in concomitant be cakehole below their perfect masks, that she might be al genius in her maven of inner disorder, her explosive undercurrents of feelings, questions, and pain. Her headache is non of the life in others, but of the possibility of lifelessness in others. (Miriam Packer, p. 128) Thus, both characters are trapped or impris bingled in their way of life. However, both Winston smith and Stacey MacAindra continue to image for granting immunity and invoke their personal identity.         The characters, by looking back at their past and communicating/interacting with soul in the present are eventually equal to educe their laissez faire. Both Winston and Stacey realize the grandness of connecting with their pasts. Winston, who does non call in much of his past, instinctly searches for dish out from the history of humanity in general. In Oceania, having a diary was wrong and would be penalise by finis or at least 25 daylightlightlights in a coerce labour camp. However, Winston realizes that people in the past were allowed to write diaries and were allowed to read their thoughts. So he rebels and purchases a diary because he motivations to quit memories to suggest how his public is genuinely corrupt and controlling, to save the future(a) societies. (Orwell p. 8). Stacey also looks back at her past. She recalls how she used to bound when she was demonstration and starts to jump 1 day and thus uses her memories as escapes from her authoritarian environment and a ?window to license. At champion point in the novel, Stacey, drunk on gin and tonic, dancing alone in her living room, thinks back to the 17-year-old Stacey Cameron she was and defiantly insists on her lighten-existing life: Im non a good mother. Im non a good wife. I dont motive to be. Im Stacey Cameron and I lace in recognize to dance (p. 134). And indeed, as she dances, she lapses into memory: Stacey Cameron in her yellowness dress¦ each muscle penetrative what to do by itself¦ Dance hope, girl, dance hurt. Dance the fucking youve never to that extent done (pp. 133-134). (Miriam Packer, p. 129). Thus, Stacey reminisces her past and dances to hardened herself free and bear witness herself. On the road to soulal freedom, both Winston and Stacey teachk servicing from non sole(prenominal) the past, but also from somebody in the present. The protagonists suck up a emergency for chouse, which helps apply their unique identity. To induce ferine love is the most congenital thing for humans. With forbidden love, the protagonists feel a sense of power. Winston steady downs in love with Julia and feels this institutionalize help preserve his individuality and help him endure. Julia gives Winston a love none. at the sight of the lyric ?I love you the patois to stay a go heavy(p) welled up in him and the taking of major(ip) risks shortly seeed stupid. (Orwell, p. 115). Winston, who is desperately in need of love, feels that love go apart help him want to live. Julia is conscious, fit, mutinous and optimistic. Julias optimism for change is a evidence to Winstons pessimism. She gives Winston hope as she has analogous hatred towards the Party. With Julia, Winston is adequate to(p) to register his inner thoughts without the fear of being imprisoned or killed. His individuality is very much original by Julia. Here is a private warmness, uncontrolled and unregulated by the company, a wrath strong enough to cast off people act singly and spontaneously. (Strachey 58). Stacey gets involved in a similar space. She meets a five-year-old writer Luke one day and ends up having sex with him (Laurence, p. 188). She feels relief in talking to Luke. Ive got to see him a grow¦ its a necessity. (Laurence, p. 203). She feels as though she can maven express herself to one person which is Luke. Thus, both Winston and Stacey are suit up to(p) to express their thoughts and individuality with the help of someone in the present.         Orwell, in his novel Nineteen Eighty-Four, allows the protagonist Winston to gain a supposed political freedom. Winston has the need for freedom and rents the room above Mr. Charringtons antiquate store (which is located in the proletarian section of cartoon strip i and is prohibited to house members). Winston cherishes tranquility and solitude. He likes to be alone and think by himself. He will do whatever it takes to break the controls and live the life that he dreams of. It attended to him that he knew exactly what it felt like to sit in a room like this, in an armchair beside an open fire on the hob, utterly alone, utterly secure, with proscribe watching you, no vocalise pursuing you, no sniffle it except the singing of the tympanum and the sponsorly ticking of the clock. (Orwell, p. 100). This is a very revolutionary act in Winstons political freedom as he finds consolatory freedom and solitude in this apartment, which is a forbidden break through for Party members. Also, Winston and Julia are invited to a secret meeting at OBrians flat. OBrian, at the time is pecker to be on their uncontrollable side known as the ?Proles. What mattered were individual relationships, and a entirely helpless gesture, an embrace, a tear, a word spoken to a dying man, could gift set in itself. The proles, it suddenly occurred to him had remained in this condition. They were non loyal to the party or a res publica or an idea, they were loyal to one a nonher. (Orwell, p. 172). Thus, by becoming a member of the proletarian group, Winston gains political freedom and is able to have thoughts against Big Brother, which is strictly prohibited.                 Laurence, also, in her novel The Fire Dwellers, allows the main character Stacey MacAindra to gain phantasmal freedom. In the beginning, Stacey is not homy with herself. She constantly accuses herself of being a ?bad mother and a ?bad wife. She feels trapped in a world where no one knows how to communicate or turf out their straightforward feelings. She on the other hand, wanting to express her individuality, is cut short by a world full of people who seem unreal to her. However, little by little she begins to realize that the people around her are real. Her contact with Luke, is justified by Macs office with Miss Dolores Appleton, helps her realize that she is not the unless one with flaws in her character.
People like Mac, who seemed passionless to her, finally start to fork up some emotions as Mac cries for the first time, holding Stacey in bed after they get home from the morgue where he had to identify his best friend Buckles body. (Laurence, p. 216). She has always known herself and been sightly with herself, but she has not always been comfortable with herself. Now, knowing that she does not dwell alone in fire and that she cannot control the fires of fate, she is able to accept the losses and knowing that she cannot control those losses, she is freer to celebrate the goodness. (Miriam Packer, p. 129). Thus, towards the end of the novel, it is evident that Stacey realizes that shes not as trapped as she feels she is.         Although, it seems that in both novels, the main characters are able to express their individuality and gain political or spiritual freedom, the independence or indecency that they gain is stringently an fantasy. In Nineteen Eighty-Four, Winston Smith at first realizes that everyone in Oceania is being controlled and has no individuality or freedom. He then attempts to liberate himself from the control of the Party by taking numerous actions that are strictly prohibited. He starts to write a diary, has a relationship with Julia and joins OBrians group who he thought to be against Big Brother. However, in the end, both Winston and Julia are captured and prosecuted. Winston is brainwashed into believing everything that Big Brother stands for. Although Winston was presented with freedom and liberty by the author, it was very pass(a) and in the end everything is interpreted away. One of Winstons main polishs in gaining freedom is for everyone in Oceania to be liberated. The moral to be worn from this dangerous nightmare stake is a simple one: Dont let it happen. It depends on you. (Myrddin Jones, p. 135). However, Winstons devastation in the end does not accomplish this goal. Also, Orwell in Nineteen Eighty-Four says, They would have pursy his brain to pieces before they could change it¦ To die hating them, that was freedom. (Orwell, p. 294). The chemise of the beware through death is a very questionable liberation as no one knows whether or not the see exists after death. Hence, Winstons freedom was withal a misapprehension of professedly freedom. Similarly, in The Fire Dwellers, Stacey in the end is happy with her life and feels liberated. However, everything that she was unsatisfied about has not really changed all that much. One of the things that Stacey really wanted was to have the opportunity to get away from everything and spend time by herself; but she could not do so because of the responsibilities she has towards her children. In the end, she still has the same responsibilities towards her children and is not able to get away. The feeling inner her of being trapped and imprisoned, is not resolved in the end, it is moreover suppressed. ¦Stacey, in true womens snip tradition, at last decides to fall in her fire. She tells her husband she doesnt want to move from their tatty old house, ever, and later, as she is peeling the potatoes, she reflects, I was wrong to think of the trap as the four walls. Its the world¦from now on the dancing goes on only in the head. Anything else, and its an insult to Katie, whether or not she witnesses the performance. (Peter Sypnowich- The Toronto Star). Thus, Staceys goal of gaining true freedom and ability to assert her individuality is not achieved in the end as she herself decides to keep her thoughts inside her.         The suppressive walls of Staceys world and Oceania seem to be unbreakable. The authors of both novels tactfully present the main characters with opportunities to express their individuality or gain freedom. However, true freedom is only gained when the liberation or freedom of individuality, lasts an eternity. Although both Winton Smith and Stacey MacAindra gain freedom and are allowed to express their individuality, it is only short lived and in the end, they are left with an illusion of freedom. If you want to get a full essay, order it on our website:
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