Saturday, March 16, 2019
Film Noirs Effect on Modern Cinema Essay -- Movies France Films Essay
charter Noirs Effect on Modern movie theatreHigh heels click on wet pavement, shady detectives stand in the shadows, shots ring out through the cold, dark city night-just another number in film noir. These seedy, almost underground films are considered to be most of the best and most influential pictures in the history of Hollywood by anyones standards, most certainly some of the darkest. Even though the glory old age of film noir have long passed and given way to big compute productions, their influence and effect on the industry can be snarl and seen throughout the movies of today.The term film noir is a French term literally meaning, black plastic film. During the second world war occupying Germans would control what pictures the people of France saw, and it was not until after the war that the French got a glimpse of what American cinema had been doing for nearly five years. The first thing they noticed was how dark the films were some(prenominal) literally and figura tively hence the name black cinema 1. Critics were shocked to see maculation lines focusing on betrayal, murder, and topics fancy to be taboo at the clock including drug use and rape. These films were indeed revolutionary in their time, pushing the limits of what was thought to be acceptable on a motion picture masking in America during the 1940?s and 1950?s.There will be to a greater extent detail on the plot lines of film noir, as well as examples. But for now, let us focus on the memorable characters introduced to the regard public through the dark lens of a noir camera. The most customary was often the hard boiled detective or private eye, continuously a male he was considered to be an anti-hero because he was himself no ideal and was often corrupt somehow (the most common example was fall... ... and there. However, it is allowed to total out of the shadows as the classic movies have an enormous following of fans and students absentminded to study them and the te chniques used to bring them such unique life. No field of study what though, these films will never go away so long as there is a wet side street with high heels clicking conquer it, with the echo of a far off gunshot somewhere in the cold dark night. Works CitedMiklitsch, Robert. ?A Panorama of American Film Noir, 1941-1953?. Film Quarterly, Berkeley Summer 2004. http//proquest.umi.com/pqdweb?index=3&did Dirks, Tim. ?The Greatest Films-Film Noir?. http//www.filmsite.org/filmnoir.html No author. ?The Internet motion picture Database- The Matlese Falcon/Cape Fear/Double Indemnity http//www.imdb.com Dirks, Tim. ?Review- Blade showtime (1982).? http//www.filmsite.org/blad.html
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